Multi-Cam Sync Editing

Here is the breakdown. We deliver multi-camera sync and editing from Istanbul edit suites, synchronising footage from many cameras using timecode, audio waveforms or clapper references, building grouped multi-cam clips and cutting between angles to construct a clean, well-paced edit. Our editors handle live-event, performance, panel and scripted multi-cam setups, managing angle scene matching, matched exposure across cameras and frame-accurate switching to the program audio. Turkey's mature post-prod sector, concentrated in Istanbul and sustained by the relentless episodic pipeline of the dizi television-drama industry, has produced deep multi-cam editorial capacity — the constant series volume keeps editors and suites working at speed — and the favourable Turkish lira makes multi-cam finishing here strongly cost-competitive.

Here is what that looks like on the ground. Multi-camera workflows are routine in Turkey: dizi production — the world's second-largest TV-series export business — runs on efficient multi-cam shooting and editing. The country's large music and live-event sector creates steady multi-cam concert and performance work that draws on the country's musical heritage, from arabesk and pop to classic ensembles built on the saz and bağlama. We sync and cut content for broadcast to EBU tech specs on the public TV networks TRT and the commercial channels Kanal D, ATV, Show TV and Star TV, and for streaming on BluTV, Exxen, Gain and Netflix Turkish originals. We deliver synchronised, edited timelines with clean program audio and the project files each finishing stage needs.