Dialogue Editing & ADR

Here is the layout. We deliver dialogue editing and ADR from Istanbul post facilities, cleaning and conforming production dialogue, removing noise and inconsistencies, and recording replacement lines on synchronised stages when location audio cannot be saved. Our dialogue editors smooth perspective, fill room tone, manage overlaps and prepare clean, ordered dialogue stems for the final mix, while our ADR supervisors set up talent, cue sheets and synchronised recording to picture. Turkey's mature post-prod sector, concentrated in Istanbul and sustained by the constant episodic pipeline of the dizi television-drama industry, has produced exceptionally deep dialogue and ADR capacity — the relentless series volume keeps stages, editors and supervisors working steady — and the favourable Turkish lira makes dialogue finishing here strongly cost-competitive.

Here is how the work shapes up. The dizi export business, the world's second-largest TV-series trade after the United States, has built huge dubbing, ADR and versioning infrastructure in Istanbul, with series localised into Arabic, Spanish and dozens of other languages — capacity that global shoots can draw on directly. Turkey's auteur cinema. This includes Nuri Bilge Ceylan's dialogue-driven 'Winter Sleep' and 'Once Upon a Time in Anatolia', demands precise, naturalistic dialogue editing, and our editors bring that sensibility to each project.

Here is how it adds up. Dialogue deliverables for broadcast meet EBU R128 loudness and EBU tech specs for the public TV networks TRT and the commercial channels Kanal D, ATV, Show TV and Star TV under the RTÜK regulator, and we prepare dialogue stems and M&E tracks for streaming on BluTV, Exxen, Gain and Netflix Turkish originals. Istanbul stages also handle ADR for global features that have shot in the country, such as 'Skyfall' and 'Argo'.