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Dijon Palace Dukes - filming location in Turkey

SCENE 01 / COMMUNICATION SYSTEMS

Communication Systems

Professional on-set communication equipment keeping your production coordinated and running smoothly.

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Here is how this works in practice. Production comms kit keep departments set up across sets, stages, and remote locations. Pro intercom systems, walkie-talkies, and wireless comms networks enable real-time planning between directors, assistant directors, camera, sound, and production management across the shooting day.

Here is the short of it. We give and configure comms kit packages scaled to your production's crew size and location complexity. Our team handles channel planning, gear distribution, and tech setup so your departments can communicate reliably from the first call to wrap each day.

Capabilities

Complete Communication Solutions

From basic walkie-talkies to full broadcast intercom systems, we provide communication equipment that keeps every department connected and coordinated.

01

Two-Way Radios

  • Motorola digital systems
  • Multi-channel radios
  • Long-range units
  • Waterproof handsets
  • Repeater systems

Reliable Coverage

02

Headset Systems

  • Production headsets
  • Surveillance earpieces
  • Noise-cancelling units
  • Boom operator comms
  • Director headsets

Hands-Free Comms

03

Intercom Systems

  • Clear-Com systems
  • Riedel artist series
  • Wireless beltpacks
  • Base stations
  • Camera talkback

Pro Intercom

04

Specialty Comms

  • IFB systems
  • Video village feeds
  • Multi-zone coordination
  • Stunt coordination systems
  • Crowd control comms

Specialized Solutions

On Location

Production comms in Turkey draw on Istanbul's deep television-industry rental base and on radio-frequency coordination with the BTK, the country's Information and Communication Technologies Authority.

Here is what that looks like on the ground. We give and configure two-way radio fleets, Clear-Com and Riedel intercom systems, IFB feeds and surveillance headsets from Istanbul suppliers, where the constant churn of 'dizi' episodic production keeps comms inventories large and well-kept. Our team plans channel layouts around your crew size and department structure, programmes radios before delivery, and runs coverage tests on location so directors, ADs, camera and sound stay connected from first call to wrap. Turkey's huge television-drama output means skilled comms technicians are readily ready. The favourable Turkish lira makes hire strongly cost-competitive.

Here is how the picture comes together. For shoots spread across the Bosphorus, the historic peninsula or remote exteriors near Cappadocia and Pamukkale, we deploy repeaters and long-range units to hold trusted coverage, and we scale gear packages to multi-unit shoots with separate channels per unit. Comms hire from Turkish vendors counts as qualifying spend under the Ministry of Culture and Tourism cash rebates of up to 30%.

Here is what we have to work with. Wireless comms, IFB and talkback all depend on clean radio range, and frequency allocation in Turkey is covered by the BTK (the Information and Communication Technologies Authority). We set up short-term frequency authorisations and compliance records with the BTK ahead of the shoot, with lead times that differ by location and range congestion, specific in dense urban Istanbul. Where shoots also run drones for aerial planning, those operations fall under the Directorate General of Civil Aviation (Sivil Havacilik Genel Mudurlugu / SHGM) and need sign-ups.

Here is the layout. Imported comms kit clears Turkish Customs under ATA Carnets and short-term-admission procedures via Istanbul Airport (IST) or Sabiha Gokcen (SAW). Climate planning matters too: gear must handle hot, dusty Antalya summers and cold, snowy continental winters in the interior, so we specify weather-sealed handsets and managed battery rotations. Mains power is 230V/50Hz, and 20% VAT (KDV) applies to local hire.

FAQ

Production Communication Expertise

What communication systems do you provide?

Here is the breakdown. We supply complete communication solutions including two-way radios (Motorola digital and analog), production headsets, Clear-Com and Riedel intercom systems, IFB feeds for talent, and specialty planning systems. Gear ranges from basic walkie-talkies to full broadcast intercom installations.

How many radios do I need for my production?

Radio needs depend on crew size and production complexity. Typical feature shoots need 30-80 radios covering all departments. We help check your needs and recommend appropriate quantities with backup units. We can add gear as needed during production.

Can you provide coverage in remote locations?

Yes, we design systems for challenging locations using repeaters, long-range gear, and multi-site planning. We survey locations in advance when possible to identify coverage challenges and deploy appropriate solutions.

Do you handle frequency licensing in Turkey?

We set up all frequency licensing needs with Turkish authorities (ANFR). This has short-term production licenses, frequency planning, and compliance records. Lead time differs by location and range availability.

What about intercom systems for video village?

We give complete video village communication including director-to-set comms, camera talkback, script supervisor links, and department planning. Systems can integrate with wireless video for full tracking and communication.

How do you handle equipment for multiple units?

For multi-unit shoots, we design set up communication plans with separate channels per unit, shared frequencies for key staff, and cross-unit planning skills. Each unit receives complete gear packages.

Productions in Turkey that need this often pair it with Lighting Equipment Rental, Data Management Systems, and Monitoring Equipment Rental for full coverage. Most projects also draw on Wireless Microphone Systems and Monitor & Video Village.

On Set

Need Production Comms?

Tell us about your production and we'll design a communication solution that keeps everyone connected.